CV
2025
Time And Machine
2024
An Absent Place
Pneumatic Pendulums (castings)
Phasianus (constellation)
2023
Space-Time Travel
Time Machine II
Mechanical Heart
Radio
Automatic Rendering (part I)
2022
Little Dokkebi Site
The Fallen Tower
Transposition
Manifestation (Genesis Trilogy)
This is a Real Pipe
2021
Seeing with Closed Eyes
Gaze into Eternity
Cabinet of Phasianus
2020
Open Studio (Taaffe Place)
Dreamwalker’s Paraphernalia
2019
Undiscovered Identity
Soon After All the Possibilities
Home (Within Body) Somewhere
2018
Your Presence Within What is Independent From You
The Symphony of Time Machine
2017
Pendulum Project (Time Machine)
The Synthesizer
2016
LOOP
Place: Group Exhibition ≪We May Be Separated Like Isalnd, But≫, Daegu Art Factory, South Korea
Date: 12/10/2024 - 2/26/2025
Format: site-specific installation
What kind of meaning can a “place” composed solely of objects and materials—absent of human-centered thought—hold? And how might such a place offer a sensory experience of space and time that escapes conceptual definition?
Conventionally, a place is understood as a spatiotemporal marker imbued with sociocultural values and specific meanings. For something to be called a place, it must presuppose a measurable physical scope, a clear purpose, and a temporal framework reducible to numerical units. In this sense, the space-time we perceive is inherently reliant on an anthropocentric system of symbols and social conventions—an imagined construct we call “place.”
Yet this conception is ultimately linear, limited, and incomplete. An Absent Place seeks to move beyond these boundaries by exploring a place composed purely of things and matter, liberated from social meaning and symbolic function. The work subverts traditional, human-centered notions of place, instead proposing a sensory encounter with an open, non-conceptual spatiotemporal experience.